DOD Looking Glass Overdrive Pedal

Product Information

The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colourful perspective on classic effects, and minimalist design aesthetic. DOD ??? LOOKING GLASS #??? #?????? # todaysgear #???? #????? #???? #????? #?????? #???? by Today's Gear The Looking Glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly. Features DOD Looking Glass, Killer Overdrive for that great Break up to an awesome solo boost!! #dig_it by Digitech

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Triple Threat! #3 Rey's Theme from Star Wars | EHX mel9, DOD looking glass, and Boss DD-6 by Megan L.

The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic. Years ago, when I was living in Brooklyn, I went on a quest to find the overdrive that worked for me. Most of these were slight variations on a few classic op-amp designs that just didn't do it for me. I tried a ridiculous number of pedals and found that I wasn't fully happy with any of them. So, having originally resolved only to make weird experimental fuzz pedals, I decided to break that rule and create a really nice overdrive that I actually wanted to play. After starting with a theory and refining it through extensive play-testing, I concocted the Savior Machine and named it after one of my favourite David Bowie songs. Finding an overdrive pedal sound that suits the exact sound you’re emulating or creating can often be a hard task. The Digitech DOD Looking Glass overcomes this by having controls that cover an entire spectrum and history of driven tones. We felt for the clean channel, the boost was unnecessary and made the sound slightly cluttered and abrupt. Even diming out the gain and peppering the bottom two knobs, we felt this pedal wasn’t mated well to this channel. The dimed-out gain in the low gain setting sounded akin to a Fender twin pushed to breakup . We understand some of our readers will relish this sound, though, and it was well suited to a Beatles-esque application.

The bass cut and treble controls allow you to tighten your guitar’s tone, or to let it loose for a less structured drive. The gain control determines how much you distort your sound, varying from a light layer of compression to an aggressive, raw punch emulating an amp at its brink. Whether it’s modern, vintage, light or heavy overdrive you’re looking for, the Looking Glass has it all. Boutique roots A standard, heavy-duty footswitch allows for On/Bypass operation and with the unit on, a blue indicator light illuminates so brightly that even the blind can see it. The Looking glass pedal has been made in collaboration with DOD and the boutique company SHOE Pedals. SHOE has been known to create pedals that can vary between classic sounds of the past, all the way to the modern sounds that artists are using right now. The collaboration has led to a pedal that has Digitech’s precise manufacturing and technological expertise, with SHOE Pedals’ imagination and pursuit for a tone ideal for live, studio, or casual user. Compact, durable, and road ready Another note about the bright LED: it’s great for an outdoors gig, but we found it a bit overbearing on a very dark stage. Sound A one-year warranty is included, which seemed a bit short compared with other popular pedals. Price

Because of how the pedal produces its gain you always get a beautiful amp like gain. With the gain down low you get clean and low gain boost tones that don't overly colour your amplifier. Crank it up a few notches and you start to get some extremely powerful gain tones that respond like an old vintage amp pushed beyond where it is comfortable. Think Jimi Hendrix era psychedelic tones and you are in the right ball park for what this pedal can do. DOD Looking Glass overdrive. Great for your main overdrive or add it to another pedal!! #dig_it by Digitech The versatile, yet simple, pre-drive BASS CUT and post-drive TREBLE controls allow players to retain clarity in the mix or dial-in raunchy raw tones as desired, with plenty of output and gain on tap. Total Guitar award their ‘Best Buy’ accolade to the DOD Looking Glass Overdrive pedal in the new issue of the magazine. The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colourful perspective on classic effects, and minimalist design aesthetic. DOD Looking Glass and DigiTech CabDryVR with the Polara Reverb ran after the CabDryVR. Gets that "amp in a big room sound". #dig_it by Digitech

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In a joint collaboration with boutique pedal designer, Christopher Venter, of SHOE Pedals, DOD has released an overdrive/boost pedal that goes far beyond their simpler, classic fare. Delivering clean boost, low gain grit, and high gain crunch in one 9v-powered, compact, stomp box is no easy feat, and the boutique connection here meant that this pedal needed to measure up to a higher standard. We put the Looking Glass through the paces and gave it no leeway. We stomped , we gritted, and we gained it to death. In the end, we found a very interesting pedal that is sure to appeal to a wide range of players. So… is this the distortion box for you? Features We plugged our Ibanez PBFP Jem into the Looking Glass and fed it into our Mesa Mark Five head mated to a 4x10 Marshall cabinet. Setting all controls around midway for starters, we found it to be a looking glass indeed. The pedal did next to nothing to our tone switched On or Off. Once we nudged the Level and Input knobs up a little, we heard the subtle but useful effect of the transparent boost in the low gain setting. The pedal added very little grit, yet in our Mesa’s IIC+ mode, it slammed the amp a bit harder at the input and therefore gave us a different dynamic as a result. We particularly liked what it did to our high gain channel, too. Herein lies the difference between a good sound and a great sound: the subtle differences.