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Act of Oblivion: The Sunday Times Bestseller

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If you like history, Robert Harris is one of the best historical novelists around. Pompeii (about the eruption of Vesuvius), An Officer and A Spy (about the Dreyfus Affair), even Archangel (set in Soviet Russia) are fabulous thrillers that bring the past alive. But when it came to Marcus Tullius Cicero, the Roman statesman, Harris really went to town and wrote an entire trilogy about him: Imperium, Lustrum and Dictator. The reason Harris was able to do this with a degree of accuracy is because Cicero wrote so much—indeed we have Cicero to thank for large chunks of our knowledge of the Latin language. The trilogy is just a wonderful evocation of what it was like to be an ambitious person in the days of the late Roman republic, as it fell apart and became an empire. There’s a passage in Vasily Grossman’s Life and Fate in which the author imagines the parallel lives of a man and his murderer. “If one man is fated to be killed by another,” he writes, “it would be interesting to trace the gradual convergence of their paths. At the start they might be miles away from one another … and yet eventually we are bound to meet, we can’t avoid it…” This is the idea that animates Robert Harris’s latest novel, Act of Oblivion, which, although it is set in the 17th century, sends the reader on a riotously enjoyable and thoroughly modern manhunt that weaves between Restoration-era London and the wilds of pre-revolutionary New England. It’s a tribute to Harris’s skill and research that Naylor is virtually the only invented character – he tells us this at the very start – and yet he rings as true as the others. Harris has dealt with religion and religious conflict before. Successfully in Conclave, where the election of a new pope becomes a political nailbiter. Less so in The Second Sleep, which I felt never quite worked out how to bring its ideas together in a coherent whole. That we do care is in part down to the extreme danger they face, and much due to Harris’s skill. Truth or legend?

This article was amended on 30 August 2022. The Act of Oblivion was passed in 1660, not 1652 as an earlier version said. The publishers have provided a list of personae and a map of New England, but I rarely needed either. I found it fascinating to join a journey through famous towns and cities as they must have been in their very early years. From a nascent Boston to the future New York and many townships in between. He took a while to reply. By the time he spoke the men had gone inside. He said quietly, 'They killed the King.'

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What has changed the most – and I’m sorry if this makes me sound an old fart – is the quality of the politicians. For example, I got to know Roy Jenkins very well, and no one can tell me that Priti Patel is an adequate replacement. The bigger picture of politics is always fascinating, but the day-to-day of Westminster, especially the quality of speeches and debates, is perhaps the most dispiriting in our history. So I’m glad to be out of it. The year is 1660. Two men flee Britain for their lives. Edward Whalley and his son-in-law William Goffe were among those who signed Charles I’s death warrant and now Charles II wants revenge. Do remember, though, that this is fiction, told from Cicero’s point of view, and (for example) Julius Caesar may not have been quite as bad as he is portrayed by Robert Harris. According to Classics teacher Olly Murphy, in his interview on the best Classics books for teenagers, Harris “does put in things which now we might say are controversial or we’re not sure about but, for the most part, his portrayal of what it would have been like for a senator going about his daily business is absolutely spot on.” I realise now that I was always a novelist earning a living as journalist, rather than a journalist who one day happened to write a novel. So I wouldn’t want to be a political editor again, although I’m grateful for the experience and I draw on it all the time, whether the novel is set in ancient Rome or 19th-century France.

Act of Oblivion is an epic journey across continents, and a chase like no other. It is the thrilling new novel by Robert Harris. It’s particularly pressing when the story relates to events that took place around three hundred and fifty years ago, to people of whom we are unlikely to have heard. However, true stories rarely provide the writer with a neat structure, and here I feel the middle sags a bit.His journal allows us to see into his uncertainties and vulnerabilities, sides of his character which are crucial to ensuring that we stay engaged. In parallel strands, we follow Whalley and Goffe as they criss-cross New England, trying desperately to remain hidden, and their dedicated pursuer Richard Naylor. His new novel, Act of Oblivion represents his first foray into the politics of the seventeenth century. Which might seem surprising. Harris thrives on times of ideological conflict and moral challenge, and the English Civil War provides that in spades. I’m writing a novel about the English civil war, so I’m reading Pepys’s diary and the speeches of Oliver Cromwell. Also Carlyle’s letters are there.

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