Fujifilm X-M1 Camera - Black (16.3MP, 16-50mm Lens Kit) 3 inch LCD

Product Information

Even so, with no viewfinder – or option to add one – it falls behind on features to the similarly priced Sony NEX-6 and Panasonic G6. It’s also relatively bulky for a CSC, at 531g with its 16-50mm kit lens. That’s only a fraction lighter than the SLR-styled Panasonic G6. Most other CSCs weigh between 320g and 460g. The Fujifilm X-M1 mirrorless interchangeable-lens camera was released on June 24, 2013 together with the Fujinon XC 16-50mm f/3.5-5.6 OIS lens. After the success of the X series cameras including the X100, X-Pro1 and X-E1, Fuji decided to expand the line of interchangeable lens mirrorless cameras by introducing a more affordable mid-range version, the X-M1. While the X-Pro1 and X-E1 are targeted at professionals, enthusiasts and serious amateurs, the X-M1 is designed to attract a broader audience. požadovat po nás výmaz těchto osobních údajů - výmaz Správce provede, pokud tento výmaz není vrozporu správními předpisy nebo jeho oprávněnými zájmy, Bottom image: 1) Lens, 2) Sensor, 3) Natural random arrangement of the fine grains of silver halide in film.

With its focal-plane shutter, the X-M1 has a very adaptable top shutter-speed limit of 1/4000th second in all shooting modes. Consequently there's no built-in ND filter as on the X100/S, so if you want to use, say, the excellent 35mm lens at F/1.4 in very bright sunlight, then it's a good idea to buy an actual glass ND filter (52mm), otherwise you'll have to stop down to achieve a correct exposure. Exposure is accurate in most cases, with occasional overexposure and clipped highlights (the latter can be reduced by using the DR Correction feature). Fuji cameras are well known for their very vivid colors, and the X-M1 carries on that tradition. One thing we did notice is that areas of high frequency green detail can be a bit smudged, possibly due to the X-Trans color filter.

Introduction

The flash settings on the Fujifilm FinePix X-M1 are Auto, Forced Flash, Suppressed Flash, Slow Synchro, Red-eye Reduction Auto, Red-eye Reduction & Forced Flash and Red-eye Reduction & Slow Synchro. These shots of a white coloured wall were taken at a distance of 1.5m. The X-M1's movie mode is similar to that of the X-E1, with the ability to record 1080/30p video with stereo sound and continuous autofocus. The dedicated movie recording button makes it easy to start taking a video in any shooting mode. While you don't have full manual control when recording videos, the aperture can be adjusted priority to shooting in 'A' or 'M' mode. Video quality is decent, though don't be surprised if moiré or rolling shutter effects make an appearance. Performance and Photo Quality The Fujifilm X-M1 produces images of outstanding quality. It recorded noise-free JPEG images at ISO 100 all the way up to 6400, with a little noise at ISO 12800 and more visible noise and slight colour desaturation at the fastest setting of ISO 25600, an amazing performance for a camera with an APS-C sensor. The RAW files were also excellent, with usable images throughout the entire range of ISO 200-6400.

It seems like all modern digital cameras are coming out with movie recording options and the Fuji X-M1 is not an exception. It can record either 720p or 1080p high-definition video at 24 fps with stereo sound and offers some control of exposure before recording (not during). You can choose the desired aperture, adjust exposure compensation and a few other camera settings, but you cannot adjust the shutter speed and ISO – those are chosen automatically by the camera based on the camera meter reading. Unlike the X-E1, there is no input for an external microphone on this camera. x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. Operating the camera and navigating the menu system is a breeze. While the camera technically has ISO boost levels up to 25,600, you cannot shoot anything above ISO 6400 on the X-M1. Unfortunately, the same problem is present on all current X series cameras. I do not understand why Fuji does not allow shooting RAW at boosted ISO levels such as ISO 100, 12,800 and 25,600. There might be a technical reason for this, but it pretty much makes the camera useless for shooting high ISOs above 6400 for those that prefer RAW over JPEG.The X-M1 delivers the same excellent image quality as its big and more expensive brothers. Noise is noticeable only by its almost complete absence throughout the ISO range of 100-25,600, while the Dynamic Range function helps to boost contrast and detail. The new 16-50mm lens is also worthy of mention, as although it has a cheaper build quality, it still offers sharp results throughout the focal range. The X-M1 is certainly right up there with the best APS-C sensor cameras on the market, and some full-frame models too, so if image quality at an affordable price is paramount, the X-M1 certainly fits the bill.

Thankfully, the X-M1 came pretty much free of all the nasty autofocus issues that plagued the X-Pro1 and X-E1 cameras. My copy of the X-M1 came with the original 1.0 version of the firmware and I have yet to see any serious AF problems. The camera autofocuses as fast as my X-E1 and its autofocus accuracy feels to be the same as well. Lola and I have shot a few weddings with the X-series cameras (including the X-M1) and the cameras did not experience any issues with autofocus performance, even in challenging low-light conditions indoors.Fuji has done a great job with the X lens line, first introducing prime lenses and then following up with some zooms later. This basically showed that Fuji’s target market was professionals and enthusiasts that were looking for a serious mirrorless system. I had the pleasure of shooting with all three initially launched lenses and I have recently received every Fuji lens for proper testing. In addition, I have also been shooting with the new Zeiss Touit lenses (a number of newly uploaded images in this review are from the Zeiss lenses). So far, my experience has been very positive on the entire line of Fuji and Zeiss lenses. X-M1 + Touit 1.8/32 @ 32mm, ISO 2000, 1/60, f/1.8 The Fujifilm X-M1 has three dynamic range settings - 100% (on by default), 200%, and 400% - and an Auto setting if you want to let the camera take control. These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can't actually turn this featur e off. The Fuji X-M1 comes with a built-in WiFi antenna, the first in X-series line of cameras. While it is great that you can save your pictures to your computer, upload images to your smartphone/tablet, look through the images on the camera or even Geotag your images, there is no way to control the camera through Fuji’s provided camera app. That’s very unfortunate because I expected this feature to be available when I first heard of the WiFi capabilities of the camera. As a result, I did not play much with the WiFi features of this camera or the app. Funkce bezdrátového přenosu snímků umožňuje uživatelům okamžitě přenést snímky do chytrého telefonu nebo tabletu. Zvyšuje tak míru potěšení zfotografie díky snadnému nahrávání vašich oblíbených snímků na sociální sítě asdílení spřáteli. Fotoaparát má vestavěnou funkci bezdrátového přenosu snímků využívající speciální software “FUJIFILM Camera App”, jenž lze stáhnout zdarma. Tato funkce zajišťuje okamžitý přenos auložení oblíbených fotografií do chytrého telefonu nebo tabletu. Vybrané pěkné snímky připravené knahrání na SNS nebo sdílení spřáteli lze přenést tlačítkem Wi-Fi. Uživatelé mohou rovněž prohlížet aimportovat do fotoaparátu fotografie avidea zchytrého telefonu nebo tabletu. Funkce rovněž umí získat informace GPS zvašeho chytrého telefonu apřidat je do hlavičky EXIF pořízeného snímku. The X-M1's rear LCD screen attempts to redress the balance by offering the ability to tilt it up or down from a high 85° angle to a low 90° angle, perfect for both overhead and low-down shooting. With a resolution of 920K dots, it's twice as detailed as the screen on the X-E1, but sometimes proved to be a little hard to see in the unusually bright British sunlight that we predominantly tested the camera in.

vyžádat si u nás přístup k těmto údajům a tyto nechat aktualizovat nebo opravit, popřípadě požadovat omezení zpracování, Kompaktní fotoaparát Fujifilm X-M1, vyráběný z kvalitních materiálů, působí spolehlivým dojmem. Tělo je z hořčíkové slitiny a gumový grip přispívá k jistotě držení. Bajonet X umístěný ve středu těla činí fotoaparát dobře vyvážen ajeho hmotnost (330g) včetně objektivu je rovnoměrně rozložena. Snadná obsluha. To byl hlavní cíl konstruktérů společnosti FUJIFILM, když navrhovali fotoaparát X-M1.Again, going from ISO 800 to ISO 1600 practically does not add any noise to the image, even in the shadows. ISO 3200, on the other hand, adds a little bit of noise and here we can see the effect of noise reduction applied by the camera on JPEG images – clarity is slightly reduced as a result.