Zoom MS-60B/UK Multistomp Bass Pedal Bass stompbox, red

Product Information

Then run the custom firmware .exe file on your PC. This will detect your pedal and allow you to write the firmware. Don't unplug your pedal while it's happening. You can see the process on your pedal's screen. You'll find 14 different modulation and special effects here, all specially crafted for bass. These include phasing, flanging, chorusing, tremolo, detuning, and pitch shifting, as well as a sub-octave generator and an intelligent bass synthesizer that plays along in key—even a DeFret effect that changes the tone of a fretted bass into that of a fretless. The MS-50G comes pre-loaded with 100 great-sounding effects that let you cut down the size of your pedalboard.

A parameter is like a knob or switch on a pedal. Each effect can have up to 9 parameters, which you can adjust to alter the sound of the effect. These settings are saved with your patch in the memory of the multistomp. If you just get one pedal, get the MS-50G if you play guitar, or the MS-60B if you play bass. If you must have stereo inputs, or you don't want drive effects and you want tons of compressors, filters, modulations, delays, and reverbs instead, then get the MS-70CDR. The 6 amp models provided here include emulations of classic tube amplifiers like the Ampeg SVT and Fender Bassman, as well as the contemporary sounds of the Hartke HA3500, acoustic 360, Aguilar DB750, and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking effects. MS-50G: mono input, stereo out, USB connectivity, good range of all guitar effects, and you can change them out with Zoom's effect editor. Primarily designed for guitar. Can use 6 effects at once. With the effect editor, you can choose from 172 effects, although the actual amount of effects the pedal can hold ranges from about 50 to 100.EDIT: I even went as freakish as to compare spectres to adjust EQ. I made some minimal changes to the above patch and the Zoom sample you hear. This is how they compare...

An effect is like a pedal, such as reverb, delay, chorus, or fuzz. The multistomps come with between 58 to 100 effects, depending on the model. I got this pedal as a first pedal as I didn?t really know what sort of pedals I wanted to spend money on so I decided to go for a cheap multi effect then workout what sound I wanted and liked and then spend some money on some dedicated effect pedals.

OVERDRIVE / DISTORTION

The MS-60B's 11 boosters, overdrives, and direct inject / preamp models include simulations of the BOSS ODB-3, DS-1, and Metal Zone, as well as the Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Xotic Bass BB Preamp, and Avalon Design U5. Amp The MS-60B's 11 boosters, overdrives, and direct inject / preamp models include simulations of the BOSS ODB-3, DS-1, and Metal Zone, as well as the Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Xotic Bass BB Preamp, and Avalon Design U5.

Web patch editor ( updated) - this version supports pedals with custom firmware and has four color themes - source code Shape and control your low end with these 19 different compressors, limiters, equalizers, filters, exciters, and frequency splitters, plus Zoom's Noise Reduction (ZNR) algorithm, designed to remove noise during pauses while still maintaining your instrument's natural tone. Other options here include a bass frequency-specific AutoWah and "talking" modulator, as well as emulations of the MXR DynaComp, Aphex Punch Factory, dbx 160A, BBE Sonic Maximizer, Q-Tron Envelope Filter, Moog MF-101, and Z. Vex Seek-Wah.Cut down the size of your pedalboard by adding an MS-60B. It offers 58 great-sounding ways to craft the perfect bass tone. For ease of use, these are organized into the following categories: If you want to try an updated version that's a bit better with some of the MS-60B effects, get it here, but you have to have the latest Java Runtime Environment installed. Battery life is up to 7 hours with alkaline batteries, allowing you to use the MS-60B with confidence from rehearsal to the main stage. Alternatively, the MS-60B can be powered from an AC adapter (sold separately) or via USB. With this in mind I got to work, using my G1Xon (virtually a G1Xon + B1Xon) for maximum slot capacity and looked thru' the available distortions, to finally settle on the BA SQUEAK (blendable RAT emulation). Now, I know a RAT is hard clipping, not a CMOS type of overdrive, still, it's what gets me there. If you'd ask in the real world I'd say a RAT doesn't sound anything like a Darkglass overdrive, but hey, I've never ran into a RAT with a blend control in real life, ant also we're in Zoom's digital modelling mystery world here, combinations producing mystery results is sorta' expected. At first I thought the DI+ (MXR) emulation might be the best candidate, but I was wrong. The next best thing to the RAT is the METAL WORLD (Metal Zone emulation, using low gain&blend, flat tone), then came the TS+DRY (blendable Tube Screamer, gain about 60-70, tone about 60), the DI+ was far behind in comparison, my initial prediction was caca.