Painter Alvin Armstrong in conversation with Reginald Moore, alongside a portfolio of his paintings and a portrait by Storm Harper Luncheonno.15 has three covers. One features a polaroid by iconic Dutch cinematographer Robby Müller –Kitchentaken in the Kensington Motel in Santa Monica in 1985. Müller worked with directors Wim Wenders, Jim Jarmusch, Lars von Trier, Sally Potter, Peter Handke and Peter Bogdanovich, to name just a few, and created a unique and beautiful visual language on films such asParis, Texas,Mystery TrainandBreaking the Waves. Andrea Müller-Schirmer makes a selection of his polaroids, most often taken in hotel and motel rooms while he was working and travelling.

Vegetable Broth made through “invention and experimentation with what you have to hand” (in this case, all manner of vegetables including cabbage, kale, chard, pak and bok choy, celery, spring onions, leeks, broccoli, cauliflower, green beans, carrots, and beetroot) – truly a “clean out the fridge” recipe! Top tip: Research other photographers’ work, and develop personal creative projects. If it’s a subject you’re passionate about, shoot it. Photograph: Othello De’Souza-Hartley Othello De’Souza-Hartley ‘When I warned the miners I’d be nude, they said they used to shower with 500 men’ Luncheon is a cultural magazine that combines art, fashion and food. The biannual magazine offers readers a bountiful feast for the eyes and the mind with its free content. Framed like a menu, each issue centers around a lunchtime conversation. Magazines bring generations together at the table to share opinions, stories and memories. This issue includes opinions, stories and memories, giving us insight into their unique cultural contributions.The picture is of Richelle. She’s a performer: a dancer, a drummer, a yoga life-coach. I used to work with her when she lived in London – this image was taken more than 20 years ago. She would dance to live poetry. It was very hard to take a bad picture of her. This, though, is a favourite for both of us. The British comedian and TV star James Corden and the painter Francis Bacon. And me, sat between them I began my career taking lots of pictures of my mum and have continued to shoot her – I love to work with lots of different types of, and generations of, people. I love the bond there is between this group. You really feel the strength of each individual person – even the little girls. Anthony – the older guy – is one of the most elegant and lovely men I’ve ever met, there’s two sets of sisters in there and most of the group knew each other before the shoot. It feels like an image about community, about standing together, which is particularly appropriate for this present time. In 1957, Lord Snowdon was commissioned by Vogue to photograph Christian Dior at his new home, the Château de la Colle Noire, in the South of France. Snowdon's daughter recently discovered the out-takes from this photo session in his studio. These are now published in Luncheon magazine together with pieces from the new Christian Dior Spring/Summer Haute Couture collection by Maria Grazia Chiuri. Tony Armstrong Jones, 1957 Sitting around a long table, with diners of every age and status, seated maybe for six hours straight even, with conversations that intertwine and develop freely. And perhaps with lots of children playing all around.

The first thing I said to the men at the mine who were helping me was: “You know I’m getting nude for this?” They said: “Listen, we worked in a coal mine. There were 500 men going in the showers at the end of the day.” One said another documentary photographer had come to photograph the mines, but they said it felt like he had his agenda didn’t reflect how they felt. “But,” he said, “you getting naked is how I feel inside.” The demonstrations these last few months are fantastic but what people don’t seem to realise is it ain’t going to end tomorrow. It’s going to be a long, long struggle. I’ve been on many demonstrations. I’ve had my problems with the police. In my day, you didn’t have phones to take videos: you just got the shit beaten out of you, and that was it. Frances recently created Luncheon, a magazine that after just three issues has gained a cult following. “It’s a style and culture magazine, which invites friends from different generations and places to exchange ideas, to talk about their life and work. All the better if it’s during a meal, whether it’s a simple sandwich in the park or the sophisticated fare of a good restaurant”. My first photographic foray into the world of dancehall, or ragga as it was called, was in 1994. I was intrigued by how strong the women were in terms of how they represented themselves.On the cover : Roast turkey á la Cinderella by Tomi Ungerer, from his book ‘Zeralda’s Ogre’ published in 1970 Photograph: Lola Flash Lola Flash ‘The more change I see, the more I realise I have made an impact’ On the cover: Lois Blamire photographed by Tim Gutt, styling by Léopold Duchemin, set design by Shona Heath, 2022 Inspirations selected by the collective Ghetto Gastro with a conversation of explanations to the images between co-founder Jon Gray and friend and stylist Nell Kalonji